Saturday, May 29, 2010

More on Nostalgia



I finally got around to purchasing a copy of Sailing Alone Around the Room by Billy Collins.  This is a desert island book and I plan to carry it with me whenever I travel.  Today, before I began writing, I read "Nostalgia" and I wanted to share with you, dear reader, in case you  are unfamiliar with the gentle poetry of Billy Collins.


Nostalgia


Remember the 1340's? We were doing a dance called the Catapult.
You always wore brown, the color craze of the decade,
and I was draped in one of those capes that were popular,
the ones with unicorns and pomegranates in needlework.
Everyone would pause for beer and onions in the afternoon,
and at night we would play a game called "Find the Cow."
Everything was hand-lettered then, not like today.

Where has the summer of 1572 gone? Brocade and sonnet
marathons were the rage. We used to dress up in the flags
of rival baronies and conquer one another in cold rooms of stone.
Out on the dance floor we were all doing the Struggle
while your sister practiced the Daphne all alone in her room.
We borrowed the jargon of farriers for our slang.
These days language seems transparent a badly broken code.

The 1790's will never come again. Childhood was big.
People would take walks to the very tops of hills
and write down what they saw in their journals without speaking.
Our collars were high and our hats were extremely soft.
We would surprise each other with alphabets made of twigs.
It was a wonderful time to be alive, or even dead.

I am very fond of the period between 1815 and 1821.
Europe trembled while we sat still for our portraits.
And I would love to return to 1901 if only for a moment,
time enough to wind up a music box and do a few dance steps,
or shoot me back to 1922 or 1941, or at least let me
recapture the serenity of last month when we picked
berries and glided through afternoons in a canoe.

Even this morning would be an improvement over the present.
I was in the garden then, surrounded by the hum of bees
and the Latin names of flowers, watching the early light
flash off the slanted windows of the greenhouse
and silver the limbs on the rows of dark hemlocks.

As usual, I was thinking about the moments of the past,
letting my memory rush over them like water
rushing over the stones on the bottom of a stream.
I was even thinking a little about the future, that place
where people are doing a dance we cannot imagine,
a dance whose name we can only guess. 

Thursday, May 27, 2010

"A Passage That I Remembered After Discussing Lacan with Jesús" or "How to Be a Film Theorist"

The following is an excerpt from one of my favorite books on film criticism/theory, The Material Ghost: Film and its Medium by Gilberto Pérez.  The author sort of follows in the iconoclastic tradition of another well known movie critic, Guillermo Caín (Carbrera Infante's pseudonym), while moving beyond that tradition and forging some ideas of his own.  Pérez like Caín, writes clearly and explains his points well.  However, unlike Caín, Pérez is a theorist of sorts, and, therefore, delves deeper into film analysis than Caín ever did. Enjoy this pedazo:





By the way, The Material Ghost has an awesome looking book cover and the greenish/whitish parts (the title, the author's name and the skeleton) GLOW IN THE DARK!

In case you were wondering what footnote 33-34 say, not 33 is a credit to someone for pointing that fact out to Pérez. Note 34 is below.

Wednesday, May 26, 2010

Accordion Dreams

Please enjoy the beauty of the accordion as you listen to Ben Gibbard and Daniel Handler playing "Why I Cry."



Bonus video: Julieta Venegas

Tuesday, May 25, 2010

Sheeple or "Don't let your education get in the way of your learning."


I was reading some of the press on Mike Wilson's up-coming novel, Zombie, and he used this xkcd comic to illustrate a point about the characters in his book.  It reminded me of first year grad students who, after reading the following (a list comprising about half the readings for a Visual Studies course I'm requires to take) think that they have just taken the red pill and woken up from the "slavery of modernity" or something along those lines.  That attitude is tiresome.  Lately I've been thinking that rather than the enlightened one of Plato's allegory, we are more akin the slaves staring at shadows on the wall.


Michel Foucault, "Panopticism," in Discipline and Punish: The Birth of the Prison (New York: 
     Vintage Books, 1979), 195-228 [notes 316-17].
Jacques Lacan, "The Mirror Stage as Formative of the Function of the I as Revealed in
     Psychoanalytic Experience," in Ecrits: A Selection (New York: W. W. Norton & Company, 1977),
     1-7.

Karl Marx, "The German Ideology: Part I" [selections], in The Marx-Engels Reader, ed. Robert C.
     Tucker, 2nd ed. (New York: W. W. Norton & Company, 1978), 149-65, 172-74.
Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction," in Illuminations (New
     York: Shocken Books, 1969), 217-51.
Louis Althusser, "Ideology and Ideological State Apparatuses," in Lenin and Philosophy and Other
     Essays (New York: Monthly Review Press, 1971), 127-86.
Maurice Merleau-Ponty, "Eye and Mind," in The Merleau-Ponty Aesthetic Reader: Philosophy and
     Painting (Evanston, Ill.: Northwestern University Press, 1993), 121-60 [notes 388-91].
Judith Butler, "Critically Queer," in Bodies that Matter: On the Discursive Limits of "Sex" (New York:
     Routledge, 1993), 223-42 [notes 281-84].
Giles Deleuze and Felix Guattari, "Introduction: Rhizome," in A Thousand Plateaus: Capitalism and
     Schizophrenia (Minneapolis: University of Minnesota Press, 1987), 3-25 [notes 518-21].

Sunday, May 16, 2010

"What is man, that thou art mindful of him?"

"They all come and go like ghosts.  Faces, names, smiles...the funny things they said, or the sad things, the poignant ones."

Sunday, May 9, 2010

Me and the Boy


Here we see, the American Boy in his natural habitat.  Learning the ins and outs of baseball with video game controller in his hand.  Note the look of pure joy on his face as he begins his initiation into manhood.  I love being a Dad.  The girls went through this too, just thought I'd throw that out there since there's been rumors going around that I'm a closet misogynist...and yes it is just a coincidence that Jillian is back there playing with the vacuum.  Heck, I vacuum more than anyone but the kids love to use the hose to suck up errant Cherios® or Sun Maid Raisins® (Ingredients: Grapes and Sun) that meet their doom on the way to the cavern that is Gordon's belly.

Thursday, May 6, 2010

Juan Garrido Saves the Day



So I was struggling with a paper topic for my colonial class.  Two possible projects had been shot down by the profe and I was thinking, "Dang."  This morning I needed to poop, a not too uncommon occurrence (academic speak!).  Being one who rarely takes a grizz without something to nourish my synapses, I took Colonial Latin America. Mark A. Burkholder & Lyman L. Johnson eds. 5th ed. with me to the john.  On page 69 I read the heading "Black Participation in the Age of Conquest" and thought to myself, "Que guay," no, I didn't really think that, but I wanted to throw that in there.  So I read about Juan Garrido, a free black man that was with Cortés in México but who also participated in the conquests of Cuba and Puerto Rico.  I then did a google book search for Garrido in Cartas de Relación and Díaz del Castillo's book as well, no mention of Garrido.  So I'm on to something cool here.  A recent article I found talks about how the rather well known presence of free blacks and slaves in the conquest is fading (mostly tha part about free blacks).  So I'm going to do the ghost thing again and talk about how, although the Archive of the Indies does contain documents about Garrido (A letter he wrote to the king), many of the chronicles that are read, published and republished today fail to mention any presence or participation of free blacks.  Good stuff I think.  The Colonial era is hard for me because it's so much about history and documents, but I have to write about it in a more literary style.  Interestingly enough, my papers as of late have taken a historical turn.  That has to do more with the topics I choose than anything.  Still, I think that the inclusion of historical context is important and can't be left behind.  The formalists can eat it!

Saturday, May 1, 2010

Microcuento


Parado ante los eternos hexágonos y el sin fin de libros, el joven bibliotecario se rindió.  Hundido en la atmósfera, esperó que la Biblioteca de Babel tuviera cimientos.